qbittorrent not downloading ubuntu to usbTigana audiobook online downloads, search for free unabridged audio book torrent. Guy Gavriel audiobook online downloads, search for free unabridged audio book Language: EnglishKeywords: A Song for Arbonne Fantasy Guy Gavriel Kay.
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      An audiobook is a recording that is primarily of the spoken word as opposed to music. While it is often based on a recording of commercially available printed material, this is not always the case. It was not intended to be descriptive of the word "book" but is rather a recorded spoken program in its own right and not necessarily an audio version of a book.

      Login Request Forum. He's fond of "grace notes" as he puts it. Is this young adult fiction or general fiction? Peter This is adult fiction. See all 3 questions about A Brightness Long Ago…. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of A Brightness Long Ago.

      This will be longer than my usual review because I have a lot to say. And I will attempt not to do spoilers. First of all, this book comes out in May. I received a free advance copy. I don't think that affects my review. I virtually know Guy Gavriel Kay and hope to someday play cribbage with him. So, to start with, in the intro in the ARC, Kay observes that our brightest and most lasting memories are usually from our late teens and early twenties.

      Which sent me to research that right away. If you This will be longer than my usual review because I have a lot to say. If you know my books, you know I have a fascination with memory, and with information stored in our brains and yes, in our blood.

      So the articles on memory that I read supported what Kay said, and I plunged enthusiastically into the story. Fantasy is a genre that is a huge umbrella. In my opinion, fantasy is the umbrella that covers all fiction. In this case, this fantasy is set in a world somewhat like Italy, with characters somewhat like historical persons in a time rather like the Renaissance. If you love those times, it will add to your enjoyment of the book.

      If you knowledge of that place and time is limited or non-existent, don't worry. It doesn't matter. This is a book about people. The fantasy element is a subtle flavoring, as in a delightful cake where you can't quite identify what you are tasting, but you enjoy it. Some of the people you will meet may seem trivial to the plot.

      Even the most puffed up and important of us will be a tiny note in history, a few hundred years from now. Yet each of us as my Fool would remind us all changes the world every day. So it is with these characters. Painted vividly, these characters are each the main characters in their own stories. Each of them diverts the sequence of events into a slightly different track. Chance encounters become fate. Of these characters, Guidanio is arguably the most important. He is our guide to that brightness long ago, although he is not always the speaker in the tale.

      Like the bits of glass in a kaleidoscope, each character shakes the tube, and we see the brightness shine through their opinion of what really happened. Events turn and spin as we regard them from multiple angles. And finally, my favorite pages in the ARC are I don't know if the pages will have the same numbering in the final hardback, but I suspect most of you will know what I loved when you encounter it.

      If you've been reading Guy Gavriel Kay for years, then this book will bring an added richness to that experience. IF this if your first book by Kay, don't hesitate to dive into the tale at this point. You will not feel confused nor excluded from the larger story lines that others will see. View all 19 comments. It felt unsettlingly disorienting to turn the last page of this book and be back in the noisy, bustling world. I struggled from the webbing of the story, and a deep melancholy that would not lift for many days begun to settle around me.

      Each word I tried to put down was one word further from what I meant to say. There was, in me, such a simmer of emotions; and I was tempted to read the book again, to go back and relive those moments, open them up and stretch them out full length to see what it w It felt unsettlingly disorienting to turn the last page of this book and be back in the noisy, bustling world. There was, in me, such a simmer of emotions; and I was tempted to read the book again, to go back and relive those moments, open them up and stretch them out full length to see what it was that had left this story so indelible upon my psyche.

      Some people mark you as they go by. A Brightness Long Ago is the tale of those who will not be arrayed in glory, whose images will not be painted on the walls of great houses, and whose names will not be enshrined in history. Guidanio Cerra , the only son of a tailor, is such a person, and A Brightness Long Ago is the tale of his youth and the few things still snarling in the rapidly fraying cobweb of his memory.

      Across worlds, his life collides with that of Adria Ripoli when, as a young man, he was serving as a court official's assistant and recognized her, the daughter of a duke, when she came to assassinate The Beast—a count known for his perverse whim of summoning children to his room to hurt them. The night A Brightness Long Ago begins, instead of shouting alarm, Danio stiffens into silence and helps the fearless Ripoli heir flee.

      Danio is a child of Batiara—a dangerous place then, where you met monsters as often as friends—and he knew a boast of power when he saw it, but nothing could have divulged how these encounters would awaken a dimension in him he never knew existed, that he would be hurled unwary into a tale far more ambitious than he would have been allowed in life had he timorously traced his way back home and let Adria Ripoli become nothing more than a fragmented image flittering at the edge of his memory.

      I knew, once, a woman diamond bright, and two men I will not forget. I played a part in a story in a fierce, wild, windblown time. I do have that. I always will. I am here and it is mine, for as near to always as we are allowed. With his invigoratingly hard-to-classify new novel, A Brightness Long Ago , Kay has crafted something audacious: he, refreshingly, tells delicate, fervent, small human stories about names whose significance would be otherwise meaningless, lost in the annals of history, those whose lives would burn onto the shadows like an afterimage of the sun.

      And I loved it. The novel breezes by at a leisurely pace, and the story takes its sweet time getting to the good stuff. The unhurried pacing could be frustrating for readers who require propulsive plots, but where the novel lags, the writing more than makes up for it. His prose is exquisite, yet never extravagant—the kind of potent, poetic writing that you hardly notice for how it flows across the page. Kay is also skilled at conveying place and people, and while the reader is only privy to the small corners—distant and blurred—that the author introduces us to through his characters, the sheer amount of history, the sense of scope, and the shadow crumbs he summons for us to creep after—they all unveil a vicious grace, and a deft, sure hand.

      It left me very keen to read more of his books in order to catch more glimpses of his whirling imagination. The latter section of the book, especially, overflows with life. Kay slowly, smartly braids his multiple storylines right up to the rattling conclusion. A chain of mishaps and revelations ensues, which shook the foundation of the story, and rendered me speechless, shaking my head back and forth like a weight on a string, my heart beating in alternating hope and despair.

      The author peoples this tale with a dizzying range of characters, and his biggest triumph lies in the manner in which he renders each antecedent event an unfamiliar terrain made anew by every new perspective he introduces. My only qualm, however, is that the frequent, delirious swapping between characters, often multiple times mid-chapter, was markedly hard to get used to.

      Danio and Adria are two of multiple narrators, and with the exception of Danio—who speaks in the first person—their stories are told in alternating third-person narratives without any signposting of who they are to help the reader discern their voices. This novel is, in many senses, a statement about how heroes don't always fit our definitions, nor should they, and that's what sung to me the most.

      This is the story of the people who were still learning the world and their places in it when they found themselves entangled in these lies and games of power. The author allows his storytelling to invest these tales with greater and greater vitality, which culminates in a deeply thoughtful and contemplative work of fiction.

      So many stories that can be told, in and around and braided through the one we are being given. If you liked this review please consider leaving me a tip on ko-fi! View all 32 comments. Extraordinarily profound, complex, lyrical and moving storytelling that deserves far more than the five stars I am able to award it. I have never read Guy Gavriel Kay before, so this was my first read, a historical fantasy, where the term fantasy is misleading because it is deployed to throw the most brightest and insightful of spotlights on the complexity of history and the chaotic reality of the contemporary world we live in.

      It mulls over the nature of power and memory, of how the future is s Extraordinarily profound, complex, lyrical and moving storytelling that deserves far more than the five stars I am able to award it. It mulls over the nature of power and memory, of how the future is shaped and turned by choices and decisions by repercussions that are unforseen, where the tiniest and the most apparently insignificant and minor person, and their interactions, play their part.

      The author gives us a multilayered story of what at first appear to be a disparate set of characters and their lives that emerge to give us shifting perspectives with an interlinked and overlapping web of connections, in this story of love, ambition, the rise and fall of influential characters, human impulses and fate. This is set in Batiara, a version of Italy in the early Renaissance, evoked through a richly textured, subtle and delicate world building.

      The novel opens on a explosive note, Danio Cerra is now an old man, reflecting on his memories of his earlier youth in the most turbulent of times. Danio was a tailor's son whose intelligence secured him entry to a school of privilege and mixing in circles that would ordinarily be out of reach for those of his social status, and which is to place him in a powerfully dangerous milieu. This leads him to the court of the Count, the beast, and his fateful encounter with the feisty and noble Adria Ripoli, on the verge of assassinating the beast.

      Adria challenges her role and expectations of her to live and do what she wants to do. He comes to find himself in close contact with Teobaldo Monticola and Folco Cino, intense rivals and mercenary commanders. Vibrant pictures of minor and fringe characters, such as that of Jelena, the healer, have their own unexpected importance.

      Gabriel Gavriel Kay's epic and expert storytelling makes the kind of impact that left me admiring his considerable talents as a writer. He is astute and remarkable, compassionate in his humanity in capturing an era and a place, with insights that can be applied to our world today.

      He spins a thought provoking tale that is more than the sum of its parts, creating an enthralling, compelling and charismatic set of characters, the important, yes, but the greater focus on the more marginal people, that cannot fail to capture the reader's interest. This made for an indelible, exhilarating and memorable reading experience which I recommend highly to those looking for something different with depth.

      View all 40 comments. Amazing book! This is really an excellent historical novel, with just a trace of fantasy. If you haven't read one of GGK's recent novels, you owe it to yourself to give him a try. Not magic in the sense of mighty wizards and spellcasting with unicorn-hair wands and cauldrons bubbling with potions best not tasted. He takes a plot and cast of characters, ones that woul Amazing book! He takes a plot and cast of characters, ones that would be interesting enough even in the hands of lesser authors, and turns them into something extraordinary through his lyrical and profoundly thoughtful storytelling, his insights into human character and motivations, and his musings on life and its meaning.

      We like to believe, or pretend, we know what we are doing in our lives. It can be a lie. Winds blow, waves carry us, rain drenches a man caught in the open at night, lightning shatters the sky and sometimes his heart, thunder crashes into him bringing the awareness he will die. We stand up, as best we can under that.

      We move forward as best we can, hoping for light, kindness, mercy, for ourselves and those we love. I spent more time than I should have, researching to figure out the real-life counterparts of all the cities and historical characters that play a role in this story. Danio, who narrates most of the tale as the reminiscing of an older man, is chosen to receive an education with the children of nobility because of his intelligence and quickness, raising him far above his humble beginnings.

      There were stories of youthful bodies carried out through the smaller palace gates in the dark, dead and marred. Balancing acts of the soul. There are wolves in the world, inside elegant palaces as well as in the dark woods and the wild. But Falco admittedly for his own self-serving reasons and his niece Adria have concocted a scheme to bring Uberto down. They set Adria up in a farmhouse outside of the city and eventually, almost inevitably, word of the attractive farm girl comes to Uberto and she is summoned to his palace.

      Or it might prove of immeasurable benefit to both of them. A Brightness Long Ago follows Danio and Adria, Folco and Teobaldo, and others through the next year or two, as their lives touch and separate and then interweave again. Doors of opportunity open and then close.

      Her participation in a particularly unusual horse race in Bischio is a high point in the story, where multi-layered plans and schemes of various characters collide in a truly spectacular way. But he realizes that personal choices have an equal impact on the path of our lives.

      Kay weaves a pleasurably complex tale with a large cast of characters, but these characters are so vividly drawn and memorable that I never got confused. I think, it is the best thought I have, that he was devoted to the idea of being loyal, in a world with little of that. That a man needed to drop an anchor somewhere, declare a truth, find a harbour… Perhaps in the darkest times all we can do is refuse to be part of the darkness.

      In his later years, Danio recalls the unforgettable characters from this time in his youth, who still shine as bright torches in his memory. Their brightness will linger in mine as well. I received a free copy of this novel for review from the publisher through NetGalley. Thank you so much! Content notes: A few scattered F-bombs; a mildly explicit sex scene; attempted sexual assault. View all 23 comments.

      Jun 03, Elyse Walters rated it it was amazing. This is my first time reading Guy Gavriel Kay. The employees at Pages book store in Calgary all raved about his books. Kay was speaking at the new Public Library in Calgary- a night I missed due to being sick - which I later learned was a sold out event anyway But shit was happening fast! Not a moment wasted My friend Angela says This book is adventurous- emotional on every human level - reflective - powerful - tragic - political - violent- romantic- with many characters- but a few of the key characters really stand out.

      The other female I loved was a healer named Jelena. The main character Guidano Cerra is well educated - a tailors son - we follow his life through his distinguished school - to a job he takes in the court of a duke - known as The Beast.

      We also meet Danio Cerra Filled with boundless imaginative energy!!! View all 21 comments. Why is that is how life must be? Earth and review-coming-soon "We make our own choices sometimes, sometimes they are made for us. Earth and air. Water and fire. Light and dark. Fortune and the turning of our wheel. We are carried forward through time but our minds take us back. View 2 comments. May 23, Spencer Orey rated it really liked it.

      This is only my second Guy Gavriel Kay book, and apparently I haven't read the excellent ones yet. This one seems to intentionally be more about the intricate impact of minor characters on the Italian Renaissance-ish setting rather than a standard story. It's a mixed bag! Some scenes are real page turners, while some stretches get a bit repetitive. I did really like the city-states and their seasonal wars for territory and taxes, using mercenaries and superstar commanders.

      And the little slices This is only my second Guy Gavriel Kay book, and apparently I haven't read the excellent ones yet. And the little slices of life we saw, especially around horses and horse racing, were lovely. Please let me know what your favorite one of his books is, so I know which one to try next time. View all 10 comments. I received this book electronically via NetGalley, in exchange for an honest review. You can find this review and more at Novel Notions.

      In A Brightness Long Ago, Kay paints with his words, writing something that is lush and poignant and real enough to touch. This novel is somewhere between historical fiction and low fantasy, and Kay straddles that divide with great finesse. Because of this education and a compelling personality, Danio finds himself in the midst of history in the making throughout his life, whether in the form of being present during an assassination or witnessing a horse race that will live on in legend or standing on the sidelines as mighty men made war or truces.

      His was an oddly calming, graceful presence among larger-than-life personalities. There was this graceful poise and sense of honor to his character that I found incredibly compelling. There are moments that find us, like some stray dog on a country road, and they may not carry significance, only truth: that they happened, and we remember them. A pagan healer, a wealthy second son with no head for politics, an important daughter who wants nothing more than to escape the life that is expected of her and live life to the very fullest, a mistress yearning for legitimacy.

      There are others, as well, but these are the lives that most often intertwine themselves with Danio and the two powerful men who seem to dominate this part of the world. All of the characters were multifaceted and interesting, and I thoroughly enjoyed watching them grow and change over the course of the novel.

      A place can become our home for reasons we do not understand. We build memories that turn into what we are, then what we were, as we look back. We live in the light that comes to us. The land is made up of city-states who often find themselves at war with one another.

      So often, in fact, that springtime has become synonymous with war. I could see and hear and smell absolutely everything, as if I had fallen into the pages and landed in the scene itself. I believe this race with stay with me for some time, which was unexpected. Dramatic, interesting, magnificent in ways. But not stable. You would never say that. First, the central themes of the story were war, romance, and politics. Two out of these three themes are topics that I often find myself lost in, unable to focus on the intricate political movements and patterns of war.

      While these are areas I can read past, I have a difficult time enjoying a story that is made up in such large part by these components. If you want to be transported, and see how the world can be impacted by one life, this is a beautiful novel to try. View all 8 comments.

      To be honest, I had a lot of trouble slipping away into the world of this one. It took far far longer for the usual Kay incantation to take effect, mostly because it took far, far longer for him to start chanting it. He seems to be desperately intent on focusing our attention on the chanciness of fate and the choices of storytelling.

      This sort of thing made the latter part of Under Heaven and most of River of Stars pretty unreadable for me. His Carnival sequence, when we finally got there, was wonderful- as they always are. He also still writes some of the only action sequences I care to read, as well. He wrote a successful Catriana- a better one. A more measured one. I respected that. I liked that the book focused on a minor character who stayed that relatively that way- not a hero to be discovered to save us all.

      This is at most a medium-stakes story told by a low level functionary and bystander. I wish he had trusted that. I also liked that although sometimes he took it to almost an absurdist extreme here that affected the pacing, he was still concerned, as he has always been, with etching out the 3D humanity of other minor characters as well. And telling it in the voice of a secondary character gave us a real reason for him to remember to do that, to a fault.

      He also did a good job with bringing the story full circle by the end back to the tone of where he started. I will say this, also. I currently do not like how he is trying to make his structural points, as I said. And I do admire evolving. This is closer to where it needs to be.

      I miss it. So I hope he gets there. View all 9 comments. Aug 12, Bradley rated it it was amazing Shelves: shelf , fantasy. To be perfectly candid, I wasn't a huge fan of Kay's earlier work and I left off reading anything else by him, thinking I already got his measure. Two books in an early trilogy. They were pretty good but it left a not-so-pleasant taste in my mouth. So why did I come back? Give him another try? I can't really say. I don't know.

      I just remembered how lyrical his prose was in places and thought, perhaps, he had grown into an even better writer since then. That maybe I judged him a bit too harshly. M To be perfectly candid, I wasn't a huge fan of Kay's earlier work and I left off reading anything else by him, thinking I already got his measure. Maybe I just didn't like the rape scenes in his early work. Something like that.

      So what happened? How did my second chance go? Amazingly, so it seems. From start to finish, the characters came to life, always interested me, and the place so reminiscent of Renaissance Italy simply shone and shone and shone through these pages. The fantasy elements were totally understated.

      The world and the characters were not. I was enraptured by one of the most gorgeous, lush tales of youth, discovery, and independence. Of how he grew to admire and respect two men who were old, bitter enemies, of how he sidestepped and played his own role between their conflict. Of a non-traditional love with a woman who would always, by any means possible, remain independent. If I sidestep some of the most beautiful scenes, it's not because they were not memorable.

      Indeed, a certain assassination and a certain race will be scenes I will never forget. Far from having to push myself through this book, I found that I never wanted it to end. This is one of the highest praises I can ever bestow. By turns beautiful and bittersweet, it tells the story of small people caught in the current of world-shattering events, and of the ripples they make that are sometimes—but not always—lost in the flow of history.

      His most compelling characters are those found lingering near the frame of a famous portrait, or rendered, almost as an afterthought, in glass and stone. Guy Gavriel Kay has written a masterpiece, yet again. View all 4 comments. Jul 04, Violet wells rated it liked it. My first experience of fantasy historical fiction.

      Though arguably you could say all historical fiction is fantasy. The author states this book was inspired by his reading about the feud between the Montefeltro and Malatesta families in fifteenth century Italy. And this is the world he recreates which he achieves in an authentic though superficial way. There's a very good depiction of Siena's Palio. This novel ha My first experience of fantasy historical fiction. This novel has a slick accomplished surface and is a fun read but one of my criteria for rating books is the level of anticipation I feel during the day for snuggling up with the books I'm reading and I can't say I was ever impatient to rejoin the adventures of Danio Cerra.

      Probably because it's a book bereft of those underlying layers of meaning that makes a novel a truly edifying experience. But I did enjoy its escapist exuberance and palpable love of Italy. View all 6 comments. May 26, Claire Reads Books rated it it was amazing Shelves: favorites. Say hello to my new fantasy obsession. View all 3 comments. Instead of a sprawling epic, the story paints three interrelated setpieces, each with a leisurely beginning, building to white-knuckled tension.

      At the center is the hatred of two formidable mercenary captains, Folco Cino d'Acorsi and Teobaldo Monticola, based on two colorful Renaissance figures. Running tangentially is the story of Adria Ripoli, whose tale intersects with the occasional first-person reminiscence of Guidanio Cerra, a young man venturing into the fraught world after years of first-rate education.

      How could Guidanio obtain that? Even the shifts in tense were not as jarring as the patchwork of third person scenes interspersed with first person—these matched the intensity of the scenes they were employed in. An omni narrator could have woven all this into one narrative, shifting tenses when necessary, and at least for me lifting the whole to another level. But we all read differently. Copy provided by NetGalley Apr 10, Tucker TuckerTheReader marked it as other Shelves: historical-fiction , adult , arc-physical.

      Many thanks to Berkely for sending me a copy in exchange for an honest review DNF at page This book just isn't for me. It's another one of those fantasy novels that is very high fantasy and I just don't mesh well with those books.

      Fantasy lovers will definitely enjoy this one! It just wasn't for me Happy reading! Sometimes these things come, sometimes they do not. Set in the fictional nation of Batiara serving as a near-proxy for 15th century Italy , Kay effortlessly drifts through a complex narrative while developing a wide cast of fully-realized characters. Their history of hate runs deep. Although their presence casts heavy shadows throughout the book, Kay chooses to spend most of the narrative through the eyes of characters who dance along the outskirts of these historic events.

      Most of these characters will not find their way into history books, but their influence on the world are just as powerful. These lesser-known players on the periphery are catalysts for change, and their impulses inadvertently help shape the world. It can sway us, change us, shape or end our days. Jelena is a pagan healer with a supernatural sense of the spirit world and keeps finding herself amidst powerful players on the cusp of death.

      Some grow. Others die. Throughout the story, Kay keeps exploring the consequences of impulsive decisions and the chaos that spawns from them. Decisions such as hanging around a hallway for an extra minute, or turning your horse north instead of south — all are actions that one thinks nothing of at the time, but their repercussions can last beyond your lifetime.

      Interestingly, Kay challenges this theme by offering the possibility of divine intervention. It asks the reader to contemplate the existence of God, and if God plays a role in impulsive decision-making and its oft-fatal outcomes. Around the halfway point to the novel, there is an interlude that feels deeply personal.

      It feels like Kay is sharing his wisdom gained from a lifetime of crafting his stories for a worldwide audience. This story is shocking, devastating, and beautiful.

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      This was, the very tall official escorting him explained, to be done in the manner of those presented to Grand Khalif Gurcu in Asharias. It was also, the courtier added thoughtfully, how the great eastern emperors had been approached in long-ago days. Rodolfo was apparently now interested in the effect of such formal deference, observed and noted.

      He had no idea what this alleged effect was supposed to be. He smiled politely. He nodded. He adjusted his velvet robe. In the antechamber where they waited he watched as a second court official—young, yellow-haired—enthusiastically demonstrated the salutations. His knees hurt with anticipatory pain. His back hurt. Arbonne is a lush, fertile land near the sea, and its people revere music and the Goddess Rian.

      In Gorhaut, the God Corannos and war are the only considerations. These two countries are on a Concluding "The Fionavar Tapestry", this book carries the heroes from our world to the final battle for Fionavar against the evil of Rakoth Maugrim. On a ghost-ship the legendary warrior, Arthur Five young people find themselves flung into the magic land of Fionavar, First of All Worlds, to play their part in the vast battle against the forces of evil led by the fallen god Rakoth Maugrim and This is the second book in the Fionavar trilogy.

      It finds the evil Rakoth threatening the existence of Fionavar. To stop him, Kimberly Ford and her companions from Earth must summon the Warrior. In this exhilarating, moving new work, Guy Gavriel Kay casts brilliant light on the ways in which history—whether of a culture or a family—refuses to be buried. Ned Marriner, fifteen years old, has One of the world's foremost masters of fantasy, Guy Gavriel Kay has thrilled readers around the globe with his talent for skillfully interweaving history and Myth, colorful characterization, and a From award-winning author Guy Gavriel Kay, who "stands among the world's finest fantasy authors" Montreal Gazette , comes a sweeping tale evocative of the Celtic and Norse cultures of the ninth and For the inspiration for this novel, Guy Gavriel Kay has drawn on the conflicts in medieval Spain, including King Ferdinand's expulsion of the Jews and forced conversion of those who remained during

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