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Japón () YTS Movie Torrent: A painter from the big city goes to a remote canyon to Japón () download Carlos Reygadas Picture. Japón (). A painter from the big city goes to a remote canyon to commit Director: Carlos Reygadas. Actors: Alejandro Ferretis, Bernabe Pérez. Download Movie Japón () in HD Torrent. A painter from the big city goes to a remote canyon to commit suicide. To reach some calmness, he stays at the. AKINO ARAI SOUSEI NO AQUARION TORRENT This Plugin allow session password using Zoom instant meeting. OK that works, ideal FTP client malware programs originate from the internet, choose either of. Execute the command, device to reload, the boot: prompt, lower left and. Geben Sie nano Cancel reply Your.
Top credits Director Carlos Reygadas. See more at IMDbPro. Photos Top cast Edit. Alejandro Ferretis The man as The man. Magdalena Flores Ascen as Ascen. Yolanda Villa Sabina as Sabina. More like this. Storyline Edit. Did you know Edit. Alternate versions UK release has 58 seconds 2 scenes of actual animal cruelty cut out in accordance with the Cinematograph Films Animals Act Connections Featured in Ayacatzintla Soundtracks Symphony no.
User reviews 46 Review. Top review. Intense story, well performed by non-professional actors. My reactions to this film are on two levels. On one level the director has shown great skill in his handling of his cast, whom I presume mostly to be inhabitants of the locale.
He was less successful in developing the story, particularly in developing the motivations of the characters. The denouement was clumsily handled and seems as much an accident in the screenplay as in it is in the film. On another level, the cinematography was technically atrocious. Presumably intentionally so, for I cannot perceive anybody showing such little technical skill getting the job mind, I have known one guy who got such a job without even knowing how to determine exposure.
There are lengthy tracking shots that are unwatchable on the big screen. There are many blurred pans and many out of focus shots. I got to waiting, during these lengthy out of focus shots to see what in-focus thing would eventually move into frame. One presumes that everybody knows about depth of field and pulling focus, so I guess the director intended to suggest mystery which he did: what is the mystery object that the camera is focused on?
Director: Carlos Reygadas. Country: Mexico. Release: IMDb: 6. Five Jewish Hungarians, now U. Mifti is a teenager as beautiful as she is reckless. Mentally unstable, fed up with her dysfunctional family, oblivious to the youthful world, and aware of the sexual magnetism she…. Four friends a background actor, a documentarian, a homeless musician, and a virgin descend into a life-awakening 24 hours that involve excess drinking, prostitutes, a sage-like lounge singer and psychedelic….
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Fourteen-year-old Stefan Kolbe, along with his mother and sister, moves from an idyllic small town to the developing area of Berlin-Marzahn, where his father works as a construction worker. By using this site you agree to and accept our User Agreement , which can be read here. Stream in HD. Download in HD. Duration: min Quality: BluRay Release: Server Language Quality Links. BluRay Download Torrent English p.
Matthew Passion so beautiful, oh my god. I don't mind that Reygadas emulates his favorite filmmakers so overtly, I'm just glad that these kinds of films are still being made. A modern masterpiece. The year is , isn't Tarkovsky supposed to be dead, what's he doing directing this Mexican film? Isn't Abbas Kiarostami Iranian? Then why when I google this film, does the director look Mexican? All jokes aside, I'm finding it hard to find the words to desribe this film. It's visuals, it's sounds, it's performances, it's meaning, it's impact.
This is purely the work of an absolute genius. That end shot s down the railway track is beyond phenomenal. Reygadas' combination of national and cultural identities, unique philosophical take on Mexican existence, and the ever-present religious glow that permeates his filmography, all secure him as an indelible presence in the world arthouse scene.
A breathtaking masterpiece among those that perfectly and radically separate audiences: we, the immortal, from the mortal mainstream ones, hahaha! Reygadas, in the tradition of Tarkovsky, admits that his arguments are way too complex and pretentious regarding the general perception. Nevertheless, he has tremendous guts, because, just like Tsai Ming-liang, he dares to show life through an avant-garde scope and the resulting branches are tremendous and hard-to-digest meditations on life.
Once or twice, even the most opulent, have been there, and once we get out of that realm, there's a temptation…. Its fundamental lyrical beauty arises out of its rawness and an urge to regard life as is, without much rationalizing or embellishments, set against the untamed lap of nature. A film about life and its perpetual nearness to death, and how these two strange bedfellows coexist simultaneously. Japon is a slow-moving, lyrical, didactic masterpiece - a sensual meditation on death and the possibility of transformation.
Carlos Reygadas has become one of my cinematic favorites and Japon may be his masterpiece! Review by Sally Jane Black 2. Another quiet, human film very much the sort of film I love. It's a strange, spiritual journey in the mountains of Mexico, an artist, suffering a crisis, finds some sort of salvation in an elderly, religious woman whose profane nephew is seeking to destroy her home.
The film is slowly paced, warmly shot, and set in a stunning landscape. There are religious undertones that I'm not entirely sure I always followed, but it doesn't shy away from being deeply sexual and veering into very irreligious territory. I especially cracked up at the description of what her nephew did with an image of the Madonna.
Director Carlos Reygadas, shooting the film on 16mm and in the uniquely wide aspect ratio of 2. While I would argue it's Reygadas' most difficult work, there's still a lot to take away from the film as it never strays from its deliberate pacing and tone. When you see, smell, touch and feel, you communicate with other people and with the things around us.
Sensuality is the main tool. As we transition from urban to rural life, the mood is set—grandiose, intense, singular—and our journey unfolds from the familiar into the unknown. My goal is to observe life and not to mystify it. What I film is simply matter that exists in the world. This is true for the actors as well. These types of films do not allow the viewer to see the actors as people existing in the world. Instead, the viewer sees a mask moving around in a costume and wearing lots of make-up.
My goal is to bring out the individuality of each person or object and to capture something of their essence. This is why you see the particular bodies in the films. Filming people as they are is my way of showing them respect. And yet the beauty of the arid landscape is in stark contrast to the tumbledown dwellings and bestial cruelty, which keep the film from descending into sentimentality and pretty pastiche. In an early scene, walking through agave fields with the aid of a cane, The Man meets a young boy hunting fowl, who presents him with an injured bird, barely alive, being incapable of snapping its neck himself.
We then see the head in close-up, instinctively blinking and gasping for life. I actually retched upon my very first viewing but have subsequently found great beauty in this particular shot—the composition, the textures, the way in which the colour of the feathers blend into the mottled terrain.
One could say that the decapitated bird is a metaphor for The Man himself: disembodied and broken, struggling to breathe. It is his silent sojourn into the serenity and stillness of the Mexican scenery that will finally liberate him and set him free. Typically, we have either an omniscient or a first-person narrator. During the process of writing a film, I experience a similar perception. You can compare this with a trance-like state that allows visions to emerge. Even to me, it is not entirely evident how this happens.
Indeed, both Reygadas and Castenada are seemingly able to access the realm of the Wholly Other, bringing back its esoteric secrets and presenting them with a unique and deeply personal proclamation of what it is like to experience, and be at one with, the flow of life. It is difficult to imagine how it could have been any other way. Everything we do has both a physical and a spiritual dimension. The two exist simultaneously. This is true for sex.
Love is caring for and desiring another person and it can be expressed in different ways. It can be through conversation and talking about what you feel and what you see. It can be caressing and kissing them, and it can be about going as far as you can with someone physically, as sexual intercourse.
Sex occurs to them because they feel a powerful attraction and they just let go. As the film progresses, we witness an intimate connection develop between the principal protagonists by way of fleeting and touching moments spent together—conversing about art, smoking marijuana, drinking ice tea—so much so that their sexual intercourse is a natural expression of their bond.
Scenes of physical intimacy can be unsettling to watch and no doubt to act and yet their union is deeply moving, despite the fact that it is ostensibly awkward and mechanical, as well as subverting stereotypical notions of how sex between two people should be portrayed.
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