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    • Decca phase 4 stereo discography torrents

      2 Окт 2012 Mijin 2

      decca phase 4 stereo discography torrents

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      Fontane Di Roma: I. CD Flamenco Puro "Live". Llano Gitano La Piedra Escrita Giralda De Seville De Badajoz A Madrid Agua, Viento, Nieve E Frio Ay Mi Romera El Burdon y La Prima Feria Di Sevilla Albert William Ketelbey In A Monastery Garden Wedgwood Blue Bells Across The Meadows In A Chinese Temple Garden Sanctuary Of The Heart Appy Ampstead The Phantom Melody Hejre Kati, Op.

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      Rowing Of The Galley Slaves. Parade Of The Charioteers. The Mother's Love. By the end of the s Decca had consolidated a remarkable prestige among music lovers in the field of high-fidelity music recording through its ffrr full frequency range recording series.

      These recordings took advantage of the technological advances developed by the firm during World War II at the request of the Royal Navy. In the hands of innovative sound engineers like Kenneth Wilkinson , the recordings of the Decca-London stood out for their wide frequency response and good resolution.

      The ffrr series was continued at the end of the following decade by another in stereo sound called ffss full frequency stereo sound , equally appreciated for its quality. The sound shots were obtained by three omnidirectional microphones suspended at 1. Although the specialized music lover enthusiastically welcomed stereophonic recordings for his ability to reproduce the music in an analogous way as it would be heard in a concert hall, the system in principle did not have a good response at popular level.

      This was mainly due to the high cost of reproduction equipment that did not correspond to appreciable advantages by potential buyers. In the early s, strong competition began among the various record companies in an attempt to introduce the system to the non-specialized client.

      The emphasis was then placed not on achieving a realistic reproduction of the sound, but rather on dazzling the listener with effects and sound acrobatics that the stereo allowed to achieve artificially at the mixing tables gimmick. Phase 4 Stereo was the label of Decca-London to compete in this segment. The title referred to a series of stages or phases that the stereo would have previously gone through.

      The recordings, which benefited from the previous technological advances of the firm, were processed in a ten-channel console, although later one of twenty was used. Then the mixture was recorded on four-track tape, then masterized to two channels and turned to stereophonic vinyl records. The sound engineer, in close collaboration with orchestra directors and arrangers, controlled the volume of certain musical instruments or orchestral groups to enhance their presence in the recording, or caused them to move between the left and right channels.

      It was also processed with electronic reverberation effects, microphone offset etc. The sound engineers Arthur Lilley and Arthur Bannister made most of the series' recordings, but was Bannister who used sound manipulation with more exaggeration. The series was successful in sales and a total of about [4] long play albums were published.

      In Decca-London decided to include within the label a series with works of classical music known and accepted by the general public Concert Series. The task initially fell to the ease listening director Stanley Black. These recordings were not well received by the specialized critic who described them as having an unnatural sound and the director's approach being superficial. However, the famous Leopold Stokowski , always aligned with the popularization of the great classics, had no objection in making several recordings for Phase 4 Stereo Concert Series, a way followed by other directors of established fame such as Antal Dorati , Erich Leinsdorf , Anatole Fistolulari , Charles Munch , Lorin Maazel or Bernard Herrmann.

      It is fair to recognize, however, that in these cases, the sound, although not exempt from exaggerated brightness, was not so artificial. In the series of classical composers almost [5] albums were released. At the same time Decca continued recording classical music and popular music with traditional criteria. The series stopped , and almost all stereo phase 4 LPs were reissued on compact discs , including the classical music series. From Wikipedia, the free encyclopedia.

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      Phase 4 - Stereo Concert Series: Recording and Mixing Demonstration

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