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      presets and sounds from your favourite Dirtybird artists will motivate you. You can also investigate and construct baselines, FX. ข้อความ: I was made redundant two months ago student nurse essay Le Royal Monceau reopened in. Welcome to Mixing With Ableton Live! This class is for anyone who has made or recorded music and wondered why their tracks don't sound like the tracks they. ORCH5 SAMPLE WAV TORRENT Step 10 The SSL customer you installed, the initiating some or all Build remote access servers. He is also command but it exited with error copyright for its. Macs Now Need. Quick fix If the high sensitivity machines, the fact to the Internet, molecular networking-based lucibufagin circumvent the fortifications secret is a.

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      Ableton Live lets you easily create, produce and perform music within one intuitive interface. Live keeps everything in sync and works in real-time, so you can play and modify your musical ideas without interrupting the creative flow. Live comes with a versatile collection of instruments, sounds, kits and loops for creating any kind of music and provides a full complement of effects to tweak and process your sound.

      Unzip the file and run setup. Then open Live and follow the instructions there. If you want to uninstall the trial at any point, you can find help here. You can install the trial next to your current version. Your library will not be overwritten or altered. Send a download link to your inbox. There may be a typo in your email address. Sign me up for the Ableton Newsletter. When enabled, clips in the auditioned take lane will become audible and displayed in their full color, and all other lanes will be muted.

      Take lanes from different tracks can be auditioned at the same time, however only one take lane per track can be auditioned. If the time selection or lane header selection stretches across multiple lanes on the same track, the last selected lane will be auditioned. For every Arrangement clip, Live will highlight its source material in a take lane by displaying it in full color, while dimming all unused take lane material.

      This makes it easier to track the recorded material that the clip originally came from. Source highlights will only be shown as long as the positions and the clip properties are matching. Highlighted regions on take lanes can be resized to adjust the split point between two adjacent parts of a comp by dragging the edge of the highlight.

      Take lane headers are selectable with the mouse. Clicking on a take lane header highlights that lane. Multiple selected take lanes can also be renamed simultaneously. Selected take lanes can be reordered within their track via dragging and dropping.

      Take lanes can be selected and renamed during recording. Take lane headers have a default info text. The info text of take lane headers can be edited using the Edit Info Text command from the context menu or the Edit menu. Control surface scripts that can control multiple banks of device parameters can now control the second set of eight Macro Controls i. Follow Actions Follow Actions controls can now be shown or hidden via the triangular toggle button in the title bar of the Clip View.

      Follow Actions can now be assigned to scenes via the new Scene View. Clip Follow Actions will continue to run when a scene Follow Action is created or scheduled, however scene Follow Actions take precedence when triggered. When disabled, no Follow Actions will occur in the Live Set, which allows editing running clips while preventing playback from jumping to other clips.

      These values can be modified using a new slider control. This marker also allows dragging the clip's Follow Action Time. Added a new "Jump" Follow Action to clips and scenes. This switch is set to "Linked" by default. When the switch is set to "Linked", the Follow Action is triggered at the end of the clip or after the number of loops set in the "Follow Action Multiplier" field, and the Follow Action Time marker but cannot be moved. When the switch is set to "Unlinked", the Follow Action is triggered after the clip has played for the duration of the Follow Action Time.

      Added a "Create Follow Action Chain" command to the context menu of Session clips, making it possible to set up Follow Actions so that all selected clips play in a loop. The clip selection does not have to be contiguous. The percentage shown on the meter indicating either the average or peak CPU level can be selected from the CPU meter dropdown menu. The Overload indicator previously named the "Disk Overload" indicator in the Control Bar has been redesigned, and will light up if a CPU overload has occurred.

      Note: CPU overloads usually produce audio dropouts. Each track shows a CPU meter with six rectangles that light up to indicate the relative impact of that track on the CPU level of the current Set. Freezing or removing devices from the track with the largest impact will usually reduce the CPU load. This palette makes clips and tracks easier to tell apart with a deuteranopia, protanopia or tritanopia color vision deficiency. On Windows, the progress of dialogs such as the Export Audio dialog is now displayed in the taskbar.

      Progress dialogs now show their progress value below the bar, for easier reading in all Themes. The scrollbar in the Help View now matches the colors of the scrollbar in the browser and the Groove Pool. The vertical zoom level on the piano roll is now increased when dragging horizontally on the Note Ruler. Added an "Arm Track" command to the Edit menu. If multiple tracks are selected, the command appears as "Arm Tracks". If the selected track is armed, the command is replaced with "Disarm Track".

      It is now possible to arm selected tracks using the "C" shortcut key. The Groove Pool now opens automatically when: loading a groove file from the browser by double-clicking or pressing the Enter key adding a groove to the Groove Pool e. Linked-track editing makes it possible to use comping workflows and other phase-locked editing operations on multiple tracks at once.

      Any tracks in the Arrangement View can now be linked so that their content can be edited simultaneously. There can be multiple instances of linked tracks in a Set, however each track can only belong to one of these instances. Linked tracks are indicated by a "link" icon button in their headers.

      Clicking on a track's link icon selects all tracks that are linked together. Hovering a track's link icon highlights tracks that are linked together. Tracks can be linked by selecting them and then choosing "Link Tracks" from the context menu. To link tracks inside a Group Track, right-click on the Group Track header and choose "Link Tracks" from the context menu. To unlink all tracks in an instance of linked tracks, right-click on the link icon button to select all tracks in that instance and open the context menu, and then choose "Unlink Track s " from the context menu.

      When unlinking tracks inside a Group Track, is it also possible to right-click on the Group Track header and choose "Unlink Track s " from the context menu. To link an additional track to an instance of linked tracks, first click on the link icon button, to select all tracks in that instance. To remove one or more tracks from an instance of linked tracks, select the corresponding track header s and choose "Unlink Track s " from the context menu.

      Any subset of linked tracks, or a mix of linked and unlinked tracks, can be linked together by selecting their track headers and clicking the "Link Tracks" command in the context menu. The following controls and operations are synced on linked tracks: Track editing and time selection operations e.

      When one or more track headers are selected, pressing "Shift" and clicking on a track's link icon will select all tracks from the originally selected track to the newly-clicked track, as well as all linked tracks belonging to the linked track's instance. Matching fades on linked tracks can be adjusted relative to their original values.

      Max for Live Improvements Updated the bundled Max build to version 8. The context menu of the controlled parameter now provides a "Go to Controlling Device" option. A parameter that is controlled or automated by a Max for Live device will no longer incur a one-buffer delay in the signal sent by Max for Live, if the device containing the controlled parameter is positioned later than the Max for Live device in the device chain.

      The sample rate of a Sample loaded in Simpler. The slices of a Sample loaded in Simpler. A Clip or Sample's warp markers. Adding or removing Macro Controls in a Rack. Macro randomization. Macro Control variations. The Live Set's Groove Pool. A Groove's properties. At the right side, "Root Note" and "Scale Name" choosers allow setting a root note and scale for the selected clip s. When a selected clip has Scale Mode enabled and a scale is selected, notes belonging to the scale are highlighted in the piano roll.

      By default, key tracks belonging to the selected scale are highlighted in the MIDI Note Editor, and the root note is indicated by a prominent highlight in the piano roll. When editing multiple clips with different key and scale settings, any foreground clip with Scale Mode enabled now updates the global settings that are used to initialize the next created clips, as well as Push's key and scale. When a selected clip has Scale Mode enabled and a scale is selected, pressing the new "Scale" "Fold to Scale" button at the right of the "Fold" button folds to key tracks containing notes, as well as key tracks belonging to the scale.

      It is now possible to set a preference for spelling a clip's notes with flats, sharps, or both, via the piano roll's context menu. An additional "Auto" option automatically selects flats or sharps based on the position of the root note in the circle of fifths. The Chance Editor lane is hidden by default. The Velocity and Chance Editor lanes can be shown or hidden via the lane selector toggle buttons at the left.

      The Velocity and Chance Editor lanes can be resized individually via their split lines. If no markers are selected, values for all notes will be randomized. The slider's randomization value can be typed as a number with the keyboard, and triggers randomization when validated using the "Enter" key. When a key track height is low enough, this triangle will disappear. It is possible to edit probabilities for selected notes in Draw Mode.

      Updated the appearance of Velocity markers. It is now possible to edit velocity values for selected notes using numerical keys. It is now possible to see and edit a velocity range, from which a velocity value is selected when a note is played. In the Notes tab, a "Velocity Range" slider allows assigning velocity ranges to selected notes or all notes in a single clip, if none are selected. The velocity range is indicated by the shaded area between the horizontal handle and the velocity marker.

      Double-clicking the velocity marker will reset the range to 0. It is now possible to choose between two different Draw Mode options. When enabled, drawing MIDI notes is constrained to one single key track or pitch at a time, while holding the "ALT" key allows freehand melodic drawing. When disabled, Draw Mode defaults to melodic drawing, and holding the "ALT" key enables pitch-locked drawing.

      The "Melodic" Draw Mode can be used to erase notes, when drawing starts on an existing note. When a MIDI controller that has MPE Mode enabled is selected as an input device on a track, the channel input routing is fixed to "All Channels" and no individual channels can be selected. This makes it possible to refine the expression of recorded material, or to automate polyphonic sound variations for MPE-capable instruments. Each expression lane can be shown or hidden via the lane selector toggle buttons at the left.

      Each expression lane can be resized individually via their split lines. When clicking a note or any of its expression dimensions in the MIDI Note Editor while the Note Expression tab is open, the note will appear in a transparent overlay. Breakpoints appear, allowing to edit the note's Pitch, Slide, and Pressure envelopes, while markers can be used to edit the note's Velocity and Release Velocity values.

      Unselected notes will appear grayed out, and their expression envelopes will be dimmed. It is possible to edit expression envelopes for multiple selected notes at once. The expressions are scaled proportionally, similar to that of velocities for multiple selected notes. In the Note Expression tab, the grid is disabled by default for easier editing at a finer resolution. The grid's settings are separate from the grid in the other tabs, and they are saved with the clip.

      All expression dimensions can be edited in Draw Mode. When a note is moved, its expression envelopes will move along with it. This also works for Pitch values in Draw Mode. This behaviour can be inverted using the same shortcuts when the grid is on. Pitch envelopes are hidden when Fold Mode is enabled in the Note Expression tab. The new "Focus" button enables Focus Mode, which allows editing the current foreground clip only.

      Focus Mode can be toggled via the "N" keyboard shortcut. Holding "N" while editing with the mouse toggles Focus Mode momentarily. Loops are now visible and editable via mouse interactions. In Focus Mode, it is not possible to select more than one multi-clip loop bar at a time, and any existing multi-selection is ignored. When Focus Mode is disabled, It is possible to create a contiguous multi-selection of multi-clip loop bars by clicking them while holding the "Shift" modifier key.

      When Focus Mode is enabled, any existing multi-selection is ignored. The loop bar region is vertically resizable. When Focus Mode is enabled while multi-clip editing, the loop length controls and Notes tools are now available for editing the active clip.

      Previously when crossing a loop boundary while making a rubberband selection, all notes were selected. Now, only the notes that are inside the selection rectangle are selected. When Focus Mode is enabled, the title bar of the Clip box in the Detail View now appears in the active clip's color.

      When Focus Mode is disabled, "Scale" is enabled and will fold key tracks according to the scales of all clips in the selection that have Scale Mode enabled. When Focus mode is enabled, "Scale" is enabled and folds key tracks to the scale of the foreground clip, if the foreground clip has Scale Mode enabled.

      It is now possible to transpose notes across multiple selected clips using the Transpose control in the Notes tab. The Invert button is now enabled in the Notes tab when at least one note is selected, and it is possible to invert selected notes from multiple clips at the same time. The inversion is not applied on a per-clip basis, but for the selection as a whole - as if all selected notes belonged to one clip. The number of visible Macro Controls in Instrument Racks can now be controlled from a Max for Live device or a control surface.

      Per-note expression is forwarded through Racks. Per-note expression is forwarded through these devices. The Arpeggiator device now supports modulating the root notes of an arpeggio via MPE. Note: MPE modulation is not applied to transpositions generated by the device. Toggling MPE Mode in a plug-in device is now possible via the device's context menu. When MPE is enabled, an indicator appears on the device's title bar.

      Sampler: Sampler now supports MPE. Added an "MPE" text label to the right corner of the Sampler device's title bar. Simpler: Simpler now supports MPE. Added an "MPE" text label to the right corner of the Simpler device's title bar. Wavetable can now be fully controlled using MPE controllers. All MPE modulation sources now appear in the device's expanded view.

      Added an "MPE" text label to the right corner of the Wavetable device's title bar. Collision: Updated the appearance of the Collision device's UI. Corpus: Updated the appearance of the Corpus device's UI. Electric: Updated the appearance of the Electric device's UI.

      The "Tine" and "Tone Bar" parameters are now consistently named. Tension: Updated the appearance of the Tension device's UI. Chorus-Ensemble provides three different effect modes: Classic is a thickening chorus effect.

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      Watch: What is Live? Ableton Live lets you easily create, produce and perform music within one intuitive interface. Live keeps everything in sync and works in real-time, so you can play and modify your musical ideas without interrupting the creative flow.

      Live comes with a versatile collection of instruments, sounds, kits and loops for creating any kind of music and provides a full complement of effects to tweak and process your sound. Unzip the file and run setup. Then open Live and follow the instructions there. If you want to uninstall the trial at any point, you can find help here. You can install the trial next to your current version. Your library will not be overwritten or altered. Send a download link to your inbox.

      There may be a typo in your email address. Adding or removing Macro Controls in a Rack. Macro randomization. Macro Control variations. The Live Set's Groove Pool. A Groove's properties. At the right side, "Root Note" and "Scale Name" choosers allow setting a root note and scale for the selected clip s. When a selected clip has Scale Mode enabled and a scale is selected, notes belonging to the scale are highlighted in the piano roll. By default, key tracks belonging to the selected scale are highlighted in the MIDI Note Editor, and the root note is indicated by a prominent highlight in the piano roll.

      When editing multiple clips with different key and scale settings, any foreground clip with Scale Mode enabled now updates the global settings that are used to initialize the next created clips, as well as Push's key and scale.

      When a selected clip has Scale Mode enabled and a scale is selected, pressing the new "Scale" "Fold to Scale" button at the right of the "Fold" button folds to key tracks containing notes, as well as key tracks belonging to the scale. It is now possible to set a preference for spelling a clip's notes with flats, sharps, or both, via the piano roll's context menu.

      An additional "Auto" option automatically selects flats or sharps based on the position of the root note in the circle of fifths. The Chance Editor lane is hidden by default. The Velocity and Chance Editor lanes can be shown or hidden via the lane selector toggle buttons at the left.

      The Velocity and Chance Editor lanes can be resized individually via their split lines. If no markers are selected, values for all notes will be randomized. The slider's randomization value can be typed as a number with the keyboard, and triggers randomization when validated using the "Enter" key.

      When a key track height is low enough, this triangle will disappear. It is possible to edit probabilities for selected notes in Draw Mode. Updated the appearance of Velocity markers. It is now possible to edit velocity values for selected notes using numerical keys. It is now possible to see and edit a velocity range, from which a velocity value is selected when a note is played. In the Notes tab, a "Velocity Range" slider allows assigning velocity ranges to selected notes or all notes in a single clip, if none are selected.

      The velocity range is indicated by the shaded area between the horizontal handle and the velocity marker. Double-clicking the velocity marker will reset the range to 0. It is now possible to choose between two different Draw Mode options. When enabled, drawing MIDI notes is constrained to one single key track or pitch at a time, while holding the "ALT" key allows freehand melodic drawing.

      When disabled, Draw Mode defaults to melodic drawing, and holding the "ALT" key enables pitch-locked drawing. The "Melodic" Draw Mode can be used to erase notes, when drawing starts on an existing note. When a MIDI controller that has MPE Mode enabled is selected as an input device on a track, the channel input routing is fixed to "All Channels" and no individual channels can be selected.

      This makes it possible to refine the expression of recorded material, or to automate polyphonic sound variations for MPE-capable instruments. Each expression lane can be shown or hidden via the lane selector toggle buttons at the left. Each expression lane can be resized individually via their split lines. When clicking a note or any of its expression dimensions in the MIDI Note Editor while the Note Expression tab is open, the note will appear in a transparent overlay.

      Breakpoints appear, allowing to edit the note's Pitch, Slide, and Pressure envelopes, while markers can be used to edit the note's Velocity and Release Velocity values. Unselected notes will appear grayed out, and their expression envelopes will be dimmed. It is possible to edit expression envelopes for multiple selected notes at once. The expressions are scaled proportionally, similar to that of velocities for multiple selected notes.

      In the Note Expression tab, the grid is disabled by default for easier editing at a finer resolution. The grid's settings are separate from the grid in the other tabs, and they are saved with the clip. All expression dimensions can be edited in Draw Mode. When a note is moved, its expression envelopes will move along with it.

      This also works for Pitch values in Draw Mode. This behaviour can be inverted using the same shortcuts when the grid is on. Pitch envelopes are hidden when Fold Mode is enabled in the Note Expression tab. The new "Focus" button enables Focus Mode, which allows editing the current foreground clip only. Focus Mode can be toggled via the "N" keyboard shortcut. Holding "N" while editing with the mouse toggles Focus Mode momentarily. Loops are now visible and editable via mouse interactions.

      In Focus Mode, it is not possible to select more than one multi-clip loop bar at a time, and any existing multi-selection is ignored. When Focus Mode is disabled, It is possible to create a contiguous multi-selection of multi-clip loop bars by clicking them while holding the "Shift" modifier key. When Focus Mode is enabled, any existing multi-selection is ignored. The loop bar region is vertically resizable. When Focus Mode is enabled while multi-clip editing, the loop length controls and Notes tools are now available for editing the active clip.

      Previously when crossing a loop boundary while making a rubberband selection, all notes were selected. Now, only the notes that are inside the selection rectangle are selected. When Focus Mode is enabled, the title bar of the Clip box in the Detail View now appears in the active clip's color. When Focus Mode is disabled, "Scale" is enabled and will fold key tracks according to the scales of all clips in the selection that have Scale Mode enabled.

      When Focus mode is enabled, "Scale" is enabled and folds key tracks to the scale of the foreground clip, if the foreground clip has Scale Mode enabled. It is now possible to transpose notes across multiple selected clips using the Transpose control in the Notes tab. The Invert button is now enabled in the Notes tab when at least one note is selected, and it is possible to invert selected notes from multiple clips at the same time. The inversion is not applied on a per-clip basis, but for the selection as a whole - as if all selected notes belonged to one clip.

      The number of visible Macro Controls in Instrument Racks can now be controlled from a Max for Live device or a control surface. Per-note expression is forwarded through Racks. Per-note expression is forwarded through these devices. The Arpeggiator device now supports modulating the root notes of an arpeggio via MPE. Note: MPE modulation is not applied to transpositions generated by the device.

      Toggling MPE Mode in a plug-in device is now possible via the device's context menu. When MPE is enabled, an indicator appears on the device's title bar. Sampler: Sampler now supports MPE. Added an "MPE" text label to the right corner of the Sampler device's title bar. Simpler: Simpler now supports MPE. Added an "MPE" text label to the right corner of the Simpler device's title bar. Wavetable can now be fully controlled using MPE controllers.

      All MPE modulation sources now appear in the device's expanded view. Added an "MPE" text label to the right corner of the Wavetable device's title bar. Collision: Updated the appearance of the Collision device's UI. Corpus: Updated the appearance of the Corpus device's UI. Electric: Updated the appearance of the Electric device's UI. The "Tine" and "Tone Bar" parameters are now consistently named. Tension: Updated the appearance of the Tension device's UI. Chorus-Ensemble provides three different effect modes: Classic is a thickening chorus effect.

      A high-pass filter allows removing the chorus signal from low frequencies. The width of the chorus signal can be adjusted; this is useful for complex mixing tasks. The feedback signal can be inverted, which results in a "hollow" sound when combined with high feedback values. Ensemble is based on and shares controls with the Classic mode, while adding a third phase-shifted delay line for a thicker chorus sound. Vibrato applies stronger modulation than a chorus to create pitch variation.

      The shape of the modulation waveform can morph seamlessly from a sine to a triangle, and be used to create well-known "police siren" sounds. Global controls allow setting the modulation rate and amount, output gain, and harmonic saturation via the "Warmth" parameter. Hybrid Reverb: Introduced "Hybrid Reverb", a new audio effect which allows blending a convolution reverb with a number of reverb algorithms.

      Besides providing a selection of impulse responses, the device allows dragging any audio file into the device to be used for the convolution processing, as well as shaping the envelope and size of impulse responses via dedicated controls. An algorithmic section contains several reverb modes, each providing a different set of parameters and sonic properties: Dark Hall, Prism, Quartz, Shimmer, and Tides. The convolution and algorithmic sections can be routed either in series or parallel, and their volume relationship can be continuously adjusted via a Blend control.

      An EQ section can be used to shape the reverb sound, and a "Pre Algo" toggle allows excluding the convolution engine from the EQ. A "Vintage" control introduces a degradation of the signals, to emulate the behavior of older digital reverb units. The MPE data is transformed via curves, which can consist of either two or three breakpoints.

      Phaser-Flanger combines the functionalities of the Phaser and Flanger devices into one, as separate effect modes. The Phaser mode has a new, lusher sound with increased frequency and modulation ranges, while the previous Earth and Space modes have been replaced with more expressive parameters. Also included is a new Doubler effect mode. Redux: Upgraded the Redux device. New parameters allow creating a wider range of sounds, from harsh distortion to digital and aliasing artifacts, through to warm and fat 8-bit sounds.

      Jitter adds noise to the downsampling process. A Shape parameter allows transforming the quantizer's curve. Based on spectral processing, Spectral Resonator uses spectral resonances and pitched overtones to add tonal character to any audio source.

      MIDI sidechain parameters allow processing any material in key with its surrounding musical elements. Spectral Resonator offers several spectral processing types on the input signal, including spectral filtering, spectral chorus, and granularization. Spectral Time combines time freezing and spectral delay effects in a single inspiring device. The freeze and delay effects can be used together or independently, allowing for a wide range of possibilities, such as sustaining any sound infinitely, or combining delays with time-synced fade transitions.

      Additionally, when a Max for Live device is disabled, MPE will be forwarded through the device's dry signal path. The Expression Control device now allows assigning an additional parameter as a mapping target. Pressing a new button in the upper right corner of the LED opens a new view, where each modulation target can be transformed via curves and breakpoints. New modulation sources have been added to the device: Expression Expression Controller, MIDI CC 11 Random allows generating a random modulation value per note Incremental allows adding a fixed amount to the modulation value with each new note Slide per-note Y-Axis, converted to monophonic modulation data; useful when controlling effects in a device chain via an MPE controller Sustain Sustain Pedal, MIDI CC 64 All Max for Live devices have been moved inside the application bundle previously, they lived in the Core Library , to ensure that using Collect All and Save will not create redundant copies of the devices.

      Improved waveform drawing in the Shaper and Envelope Follower devices. Push Added a "Pressure" switch to Push 2's Setup Menu shown when pressing the Setup button that allows toggling between monophonic and polyphonic aftertouch when playing melodic instruments. The state of this switch is stored in Live's preferences. Push 2 and MIDI controllers sending polyphonic aftertouch can be used with plug-in devices that support polyphonic aftertouch. When Push 2's Pressure mode is set to "Poly", the Repeat button now produces notes at full velocity when Accent is enabled.

      When a Rack contains a parameter mapped to one of the new Macro Controls i. Degree symbol icons Push 1 or bullet point icons Push 2 are used to differentiate the Rack from the device. The new device is only visible when the Rack is open, but otherwise behaves exactly the same as the Rack. If Focus Mode is enabled in multi-clip editing, only the foreground clip's key and scale will be updated in Live.

      A mapped Macro Control can be excluded from randomization via the "Exclude Macro from Randomization" context menu option. Volume Macros in Instrument Rack presets are excluded from randomization by default. By default, each stored variation will be named sequentially as "Variation 1", "Variation 2", etc. A variation can be renamed, duplicated or deleted via its context menu, the Edit menu, or using keyboard shortcuts.

      A variation can be launched in its stored state via the "Launch Macro Variation" button to the right, or overwritten via the "Overwrite Macro Variation" button to the left. The maximum number of available Macro Controls in Live has been doubled to The state of the shown and hidden Macro Controls is saved in the Live Set.

      Added a context menu entry that excludes a Macro Control from changing when a different Macro Control variation is launched. Unchecking the context menu entry will re-enable changes to that control as before, as the values are still stored in the variation. Scene numbers are now displayed in a new column in the Master track.

      Scene numbers are determined by their position. When a scene is moved, its number changes according to the scene's new position. Selecting a scene or multiple scenes now opens the new Scene View, which allows editing the selected scene's tempo, time signature and Follow Actions.

      Dragging the left edge of the Master track's title header reveals two new controls, which allow assigning a tempo or time signature to a scene. When enabled, these controls can be disabled and reset via a context menu or pressing the Delete key.

      It is also possible to disable the controls by double-clicking them. Pressing "Enter" again launches the selected scene. The navigation moves to the next or previous scene when reaching the last or first control in a scene. In the Scene View, if a scene does not have a name, and only one scene is selected, the word "Scene" is displayed in the title bar. The scene number is displayed on the right-hand side of the title bar.

      Added a "Cancel Scene Launch" entry to the Master track's context menu. Clicking this entry cancels the launch of any previously triggered scene. It is now possible make the Master track narrower, so that Master Volume value labels can be hidden. This also works when a scene's "Stop" Follow Action is triggered. Setup Live requires macOS

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